Albert Bierstadt (1830-1902) attribution listed antique beautiful painting RARE

Albert Bierstadt (1830-1902) attribution listed antique beautiful painting RARE
Albert Bierstadt (1830-1902) attribution listed antique beautiful painting RARE
Albert Bierstadt (1830-1902) attribution listed antique beautiful painting RARE
Albert Bierstadt (1830-1902) attribution listed antique beautiful painting RARE
Albert Bierstadt (1830-1902) attribution listed antique beautiful painting RARE
Albert Bierstadt (1830-1902) attribution listed antique beautiful painting RARE
Albert Bierstadt (1830-1902) attribution listed antique beautiful painting RARE
Albert Bierstadt (1830-1902) attribution listed antique beautiful painting RARE
Albert Bierstadt (1830-1902) attribution listed antique beautiful painting RARE
Albert Bierstadt (1830-1902) attribution listed antique beautiful painting RARE
Albert Bierstadt (1830-1902) attribution listed antique beautiful painting RARE
Albert Bierstadt (1830-1902) attribution listed antique beautiful painting RARE

Albert Bierstadt (1830-1902) attribution listed antique beautiful painting RARE
Relined by previous owner. Several catalog numbers on the back from auctions, “444” and “3309”. Craquelure on the painting due to age. Albert Bierstadt, was born in Solingen, Germany. He was only about two years old when his family moved from Germany to New Bedford in Massachusetts. Along the route, he took countless photographs and made sketches of the majestic mountain ranges and dramatic rock formations which became the studies for his massive canvasses painted in his New York studio. In December 1857 the Boston Athenaeum bought one of his works, The Portico of Octavia Rome, thus assuring his career. Bierstadt always loved mountains, and he visited the White Mountains before he left for Dusseldorf, for his signature appears in the register on top of Mount Washington on August 11, 1852. Sometime in 1859 or 1860, Bierstadt visited New Hampshire with his brother, Edward, working in the then new medium of photography. He stayed at the Conway House in Conway, listing himself as A. Bierstadt, New York, on September 13, 1862. He also spent considerable time at the Glen House in 1869 while at work on Emerald Pool, which he considered his finest work. He exhibited at the Boston Athenaeum from 1859 to 1864, at the Brooklyn Art Association from 1861 to 1879, and at the Boston Art Club from 1873 to 1880. A member of the National Academy of Design from 1860 to 1902, he kept a studio in the 10th Street Studio Building, New York City from 1861 to 1879. He was a member of the Century Association from 1862 to 1902. The artist’s rugged, romanticized landscapes of the West, painted on a grand scale with an abundance of detail and dramatic lighting, captured the imagination of 19th-century art collectors and their interest catapulted Bierstadt to the top of the American art market. His paintings brought record prices and in his lifetime, Bierstadt enjoyed tremendous success and recognition. Bierstadt became internationally renowned for his beautiful and enormous paintings of the newly accessible American west, and his works found their way into public and private collections at staggeringly high prices for his time. His popularity and wealth rose to tremendous heights only to fade as the interest in the Boston School and impressionism turned public taste away from his highly detailed landscapes suffused with golden light. In 1867 he married, and he and his new bride went to London. There he met with Queen Victoria. His wife, Rosalie, needed to live in a warm climate for health reasons, so the couple lived in Nassau, and Bierstadt began to paint the tropics of Nassau as a result of his stays there. He died suddenly in 1902 and people seemed to forget his work until the 1960’s. People became more interested in preserving the national lands of the USA, and his paintings began to be shown again. Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices. With the frame, it measures 16.25″ wide X 20.25″ tall. Without the frame, the painting measures 9.25″ wide X 13″ tall. Please feel free to ask questions. This item is in the category “Art\Paintings”. The seller is “piazzasplaza” and is located in this country: US. This item can be shipped worldwide.
  • Size: Medium (up to 36in.)
  • Region of Origin: Europe
  • Custom Bundle: No
  • Item Height: 20.25\
  • Item Width: 16.25\
  • Personalize: No
  • Type: Painting
  • Certificate of Authenticity (COA): No
  • Signed: No
  • Original/Licensed Reproduction: Original
  • Unit of Sale: Single-Piece Work
  • Handmade: Yes
  • Artist: Albert Bierstadt
  • Production Technique: Oil Painting
  • Framing: Framed
  • Country/Region of Manufacture: United States
  • Style: Realism
  • Material: Oil
  • Time Period Produced: 1850-1899
  • Features: Framed, Signed
  • Subject: Landscape
  • Year of Production: 1850’s
  • Listed By: Dealer or Reseller
  • Painting Surface: Canvas
  • Date of Creation: 1800-1899
  • Width (Inches): 16.25
  • Color: Multi-Color
  • Height (Inches): 20.25

Albert Bierstadt (1830-1902) attribution listed antique beautiful painting RARE